snatched Verónica Ortiz 68. A jealous and brutal husband had it under lock and key while a contingent of students who have more or less the same age, too old Alejandra Ballesteros, 18, were being massacred in Tlatelolco. He was safe there, in his prison housewife, true, but it is often preferable to voluntary, which is what Veronica wanted to run alongside all those young people, that salvation is not requested. So Alejandra, who says Paco Ignacio Taibo is a character Menson half, vehement but dazed, challenges the authoritarianism of his father, General Ballesteros, no less than one of the architects of the killing ... that he and his wife, the mother dead, is absent? in Alejandra same they did to Veronica's own and previously, the mother of Veronica, because domestic violence was what drove the writer today into the arms of a man who would end up making it worst victim of mistreatment to which they fled, "We were suffering a form of closure by my father who was very jealous and I realized that the only solution was marriage, "says Veronica. At that time I have 17. I keep slipping away, I leave to tolerate the limits and censorship, I hold a responsible freedom struggle and there is a slope mine at that time by 68. "This is the origin of the novel Do not forget me (Planeta, 2006), Veronica settles he considers his score to settle with 68. I met Veronica Ortiz
Lawrenz, a pioneer in Mexico to tackle head on human sexuality in the media (he was for many years host of the Workshop on sexuality, on Channel 11), when he presented his first novel, Survivors (Planet, 2003) where starkly portrayed in the modus vivendi of street children in Brazil, eventually exterminated as pest during maneuvers of "cleansing" of the so-called White Guards, a matter on which he heard and in which he threw himself, curiously enough, during a vacation in Rio de Janeiro. Blonde, energetic, nervous, Veronica spoke to reporters on the subject, trembling with indignation but sober and well planted. I wondered how the strengthened its sensitivity rather than vulnerable. Time aware of its dramatic past, as her character Alejandra, had to escape through a window and which is not brought up until the publication of which would be his second novel, I forget. Between this book and the preceding word published Women, interviews with writers (Joaquín Mortiz, 2004), work that boosted his primary vocation. The national writers, says Veronica, are twofold contempt because Mexico does not consume what the country produces. The Mexican player is not first choice at a Mexican author, and if female, less. "Long ago I write. I wrote my own scripts for television. Poetry, too, but I never posted because I'm extremely self-critical and I am convinced that I'll never publish. He carried around with the idea of \u200b\u200bgiving me time to write the novel about 68. Then came an experience very delicate, very hard: I was with Rosario Robles (head of government of the District Federal relay Cuauhtémoc Cárdenas in 1999) in an air which generated the content of speech and ordered a little of what was happening in the city because the PRI has left us a void and my job was to recover this information. Then I started to see changes in Rosario, I did not like and I retired ... and I had given up everything for this political project that I believed wholeheartedly. I said it was time to remake Veronica Ortiz, and I began to write ... "I forget
part of the author's personal experience, because the nostalgia of the not lived or experienced is a trace in a vacuum, which easily experience can become frustrated if not be processed intelligently. Although most of the characters are fictional, no other book on the subject has developed as clear or as accessible as the Machiavellian circumstances that led to the tragic events of October 2, 1968, perhaps because it is the first book readers thought not lived through them. To reconstruct the facts, Veronica uses a series of readings that adequately cited in the acknowledgments: The Night of Tlatelolco and Strong is the silence, by Elena Poniatowska; Days to keep from Carlos Monsivais, The days and years of Luis Gonzalez de Alba , Star of Tlatelolco Alvarez Garin, redo the story of Carlos Montemayor, a war party Julio Scherer García. The reader realizes, among other things, students, academics in particular, became objects of suspicion and persecution several months before the killing broke out, contaminating the pre-Olympic atmosphere of bad omens. "What happens, says one of the characters is that the government are more dogs just for the Olympics. Best for us. Going to give, they will release the prisoners, a (Demetrius) Vallejo. You saw the ball of foreign journalists, there are a shitload asking questions everywhere. In the government are not stupid. For all the university wants to strike before their fucking Olympics. "Alejandra
Mexico has stayed away from a child in a boarding school abroad. Graduation and subsequent return to the family residence coincides with the key to the novel. His father, General Ballesteros, is a contradictory character at the same time seeks to detain (not considered necessary to go to college, what if soon to be married?, Someone chosen by him, of course), except for very assists guarded French classes and some rides tasteless, imposes barbaric and practical riding exercises in the morning to lose his fear of horses. "The General Ballesteros is the quintessential father figure of the time-points Veronica. It is the torturer general, there were many at that time and hopefully I'm wrong, still it was a time when generals were very close to power, had public office. Now there is this mix of power with the military, but at that time there were many, and also very hungry. Corona del Rosal, for example, wanted to be president. There is another character, Gutiérrez Oropeza, the Estado Mayor Presidencial, very close to Diaz Ordaz, paranoid, very violent, very limited in their perceptions of all kinds and is going to be an important upstream on the ideas of Diaz Ordaz and Echeverria used with a very particular skill that, over the years, we were seeing more. Echeverría was the leading contender General Corona del Rosal for the presidency, and in that sense we have an atmosphere of presidential succession that will determine many of the things that happened in the 68 and resulted in the destruction of large groups of young people ... not just death but annihilation in many ways. "
always escorted whom he considers his only friend, her nanny, Alejandra will soon experience the desire to spread its wings, looking at the world with their own eyes and describe it in their own words, particularly when during a frugal solution to the pharmacy, duly supervised by her nanny (who, obviously, feel real terror for the general), has his first encounter with the charming Santiago, an idealistic university curly hair that will be your neighbor. With regard to Santiago, the most endearing and tragic Do not forget me, Veronica tells us it is symbolic because it represents the average young plowed those streets, now bloodied, demanding justice, attacked many times in the back: "(...) All we ask that young people ask, is democratic space, to respect the vote, the elections (...) "(p. 108)" It is clear that over 70% of this country are young, "says Veronica," means that if the 68 did 38 years ago, the today's young people not only lived but not have been forgotten, because the official story maintains a steady silence on events so important and foundational as this. "
Although at first I assumed that would be unfolding in Veronica Alejandra's mother and this, Maria Luisa, of German descent, she tells me that Maria Luisa, the wife tortured and disappeared from the General Ballesteros, who was riding a fictional tomb to dodge the pressing questions of her daughter, is a bit of your own mother. A kind of woman more common now than then, but, in light of the events seemed destined to awaken. The 68 was also a watershed year for women's liberation, the watershed, "says Veronica, a lot of things," for the first time a large number of people from all socioeconomic levels in the street were not defending the repression of young people, an issue that had to do with justice and democracy. People are tired of PRI governments, violent and repressive, especially that of Diaz Ordaz. The woman begins to break free of many atavism, is studying and has new possibilities of freedom, equality with their peers. They are Simone de Beauvoir, the pill ... is a key moment for feminism, the women need to be integrated into other areas that have been restricted by society. "As stated by the character of China on page 164: "I think any fight where the woman is not going slower."
Alejandra is still a young educated. Does not even know exactly who is his father. Your imagination is not enough to conceive of the torture and sexual humiliation to which the General Ballesteros undergoes youth captured. The beginning of the end of his innocence will be marked by the discovery of photographs where his mother, whom he has thought dead for many years, appears with evidence of torture ... photographs Luisa Maria herself was taken to report the crime of husband. Alejandra awaken slowly at first, influenced by James, who somehow be provided in Lazarillo, giving her eyes committed, and you will see the importance of their participation in the mega-protest involving almost the entire civil society. As a survivor, I forget which is open ended but would be judged "happy" because it is the opportunity that life gives Veronica Alejandra "to do more to squeeze through the window is his welcome as a woman ... free woman.
"I need the written word," says Veronica, "but do not know what comes next. I feel I'm much like in the middle of something, including generating and receiving the news. I'm there in the middle, so I think that the word "community" is not bad, because it is a bridge between the receiver and makes the messages. "Verónica Ortiz admires JJ Coetzee, anxiously awaiting the two new novels by Rosa Beltrán and says eventually return to his bedside table: Madame Bovary. Interested authors are also raising their own reality in different parts of the world, writer and journalist Laura Restrepo Colombian and Mexican poet Verónica Volkow. Currently, Veronica is a cultural advisor of the Interdisciplinary Program of Women's Studies College of Mexico and columnist for the independent magazine Emeequis.
Lawrenz, a pioneer in Mexico to tackle head on human sexuality in the media (he was for many years host of the Workshop on sexuality, on Channel 11), when he presented his first novel, Survivors (Planet, 2003) where starkly portrayed in the modus vivendi of street children in Brazil, eventually exterminated as pest during maneuvers of "cleansing" of the so-called White Guards, a matter on which he heard and in which he threw himself, curiously enough, during a vacation in Rio de Janeiro. Blonde, energetic, nervous, Veronica spoke to reporters on the subject, trembling with indignation but sober and well planted. I wondered how the strengthened its sensitivity rather than vulnerable. Time aware of its dramatic past, as her character Alejandra, had to escape through a window and which is not brought up until the publication of which would be his second novel, I forget. Between this book and the preceding word published Women, interviews with writers (Joaquín Mortiz, 2004), work that boosted his primary vocation. The national writers, says Veronica, are twofold contempt because Mexico does not consume what the country produces. The Mexican player is not first choice at a Mexican author, and if female, less. "Long ago I write. I wrote my own scripts for television. Poetry, too, but I never posted because I'm extremely self-critical and I am convinced that I'll never publish. He carried around with the idea of \u200b\u200bgiving me time to write the novel about 68. Then came an experience very delicate, very hard: I was with Rosario Robles (head of government of the District Federal relay Cuauhtémoc Cárdenas in 1999) in an air which generated the content of speech and ordered a little of what was happening in the city because the PRI has left us a void and my job was to recover this information. Then I started to see changes in Rosario, I did not like and I retired ... and I had given up everything for this political project that I believed wholeheartedly. I said it was time to remake Veronica Ortiz, and I began to write ... "I forget
part of the author's personal experience, because the nostalgia of the not lived or experienced is a trace in a vacuum, which easily experience can become frustrated if not be processed intelligently. Although most of the characters are fictional, no other book on the subject has developed as clear or as accessible as the Machiavellian circumstances that led to the tragic events of October 2, 1968, perhaps because it is the first book readers thought not lived through them. To reconstruct the facts, Veronica uses a series of readings that adequately cited in the acknowledgments: The Night of Tlatelolco and Strong is the silence, by Elena Poniatowska; Days to keep from Carlos Monsivais, The days and years of Luis Gonzalez de Alba , Star of Tlatelolco Alvarez Garin, redo the story of Carlos Montemayor, a war party Julio Scherer García. The reader realizes, among other things, students, academics in particular, became objects of suspicion and persecution several months before the killing broke out, contaminating the pre-Olympic atmosphere of bad omens. "What happens, says one of the characters is that the government are more dogs just for the Olympics. Best for us. Going to give, they will release the prisoners, a (Demetrius) Vallejo. You saw the ball of foreign journalists, there are a shitload asking questions everywhere. In the government are not stupid. For all the university wants to strike before their fucking Olympics. "Alejandra
Mexico has stayed away from a child in a boarding school abroad. Graduation and subsequent return to the family residence coincides with the key to the novel. His father, General Ballesteros, is a contradictory character at the same time seeks to detain (not considered necessary to go to college, what if soon to be married?, Someone chosen by him, of course), except for very assists guarded French classes and some rides tasteless, imposes barbaric and practical riding exercises in the morning to lose his fear of horses. "The General Ballesteros is the quintessential father figure of the time-points Veronica. It is the torturer general, there were many at that time and hopefully I'm wrong, still it was a time when generals were very close to power, had public office. Now there is this mix of power with the military, but at that time there were many, and also very hungry. Corona del Rosal, for example, wanted to be president. There is another character, Gutiérrez Oropeza, the Estado Mayor Presidencial, very close to Diaz Ordaz, paranoid, very violent, very limited in their perceptions of all kinds and is going to be an important upstream on the ideas of Diaz Ordaz and Echeverria used with a very particular skill that, over the years, we were seeing more. Echeverría was the leading contender General Corona del Rosal for the presidency, and in that sense we have an atmosphere of presidential succession that will determine many of the things that happened in the 68 and resulted in the destruction of large groups of young people ... not just death but annihilation in many ways. "
always escorted whom he considers his only friend, her nanny, Alejandra will soon experience the desire to spread its wings, looking at the world with their own eyes and describe it in their own words, particularly when during a frugal solution to the pharmacy, duly supervised by her nanny (who, obviously, feel real terror for the general), has his first encounter with the charming Santiago, an idealistic university curly hair that will be your neighbor. With regard to Santiago, the most endearing and tragic Do not forget me, Veronica tells us it is symbolic because it represents the average young plowed those streets, now bloodied, demanding justice, attacked many times in the back: "(...) All we ask that young people ask, is democratic space, to respect the vote, the elections (...) "(p. 108)" It is clear that over 70% of this country are young, "says Veronica," means that if the 68 did 38 years ago, the today's young people not only lived but not have been forgotten, because the official story maintains a steady silence on events so important and foundational as this. "
Although at first I assumed that would be unfolding in Veronica Alejandra's mother and this, Maria Luisa, of German descent, she tells me that Maria Luisa, the wife tortured and disappeared from the General Ballesteros, who was riding a fictional tomb to dodge the pressing questions of her daughter, is a bit of your own mother. A kind of woman more common now than then, but, in light of the events seemed destined to awaken. The 68 was also a watershed year for women's liberation, the watershed, "says Veronica, a lot of things," for the first time a large number of people from all socioeconomic levels in the street were not defending the repression of young people, an issue that had to do with justice and democracy. People are tired of PRI governments, violent and repressive, especially that of Diaz Ordaz. The woman begins to break free of many atavism, is studying and has new possibilities of freedom, equality with their peers. They are Simone de Beauvoir, the pill ... is a key moment for feminism, the women need to be integrated into other areas that have been restricted by society. "As stated by the character of China on page 164: "I think any fight where the woman is not going slower."
Alejandra is still a young educated. Does not even know exactly who is his father. Your imagination is not enough to conceive of the torture and sexual humiliation to which the General Ballesteros undergoes youth captured. The beginning of the end of his innocence will be marked by the discovery of photographs where his mother, whom he has thought dead for many years, appears with evidence of torture ... photographs Luisa Maria herself was taken to report the crime of husband. Alejandra awaken slowly at first, influenced by James, who somehow be provided in Lazarillo, giving her eyes committed, and you will see the importance of their participation in the mega-protest involving almost the entire civil society. As a survivor, I forget which is open ended but would be judged "happy" because it is the opportunity that life gives Veronica Alejandra "to do more to squeeze through the window is his welcome as a woman ... free woman.
"I need the written word," says Veronica, "but do not know what comes next. I feel I'm much like in the middle of something, including generating and receiving the news. I'm there in the middle, so I think that the word "community" is not bad, because it is a bridge between the receiver and makes the messages. "Verónica Ortiz admires JJ Coetzee, anxiously awaiting the two new novels by Rosa Beltrán and says eventually return to his bedside table: Madame Bovary. Interested authors are also raising their own reality in different parts of the world, writer and journalist Laura Restrepo Colombian and Mexican poet Verónica Volkow. Currently, Veronica is a cultural advisor of the Interdisciplinary Program of Women's Studies College of Mexico and columnist for the independent magazine Emeequis.
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