... I am strong because I am alone. WG
Virginia Wolf showed us the importance of her own room for the full development of women's creativity. Wendy teaches us that war, unable to conquer, it is possible to invent one. Born on December 11, 1970 in Havana, Cuba, winter power outages and lack of Christmas, Wendy says, categorically, that no one dies Cuba, "The only family I have is Cuba, so if I lose I'm all I have, in such a way that this is one of those rare authors who have refused to leave the island to exercise freedom of expression, moreover, alone has been given permission to violate the implicit rules of the only communist regime that survived the century, in such a way that his novel, all go, I won the Novel Prize Bruguera (2006), openly displaying a society where the grandchildren Revolution is at the mercy of the ideological invasion from the kindergarten, young artists have to earn the right to fly the brush or feather pulling the trigger against an imaginary enemy. Yet they realize that their true patriotic commitment has nothing to do with killing, much less abide by, "We live hidden in the bunks, which are the collective monument to worship in any new place where we crowded. In a bunk bed instead of two, sometimes slept four. "(P. 138). Snow
protagonist and alter ego of Wendy, recounts her journey from the perspective of a little girl of eight years at a refugee underground newspaper (the newspapers tend to be intimate, but the content of Snow would be considered "subversive" by him paid attention to one of these "policemen" that every adult has behind habanero your steps); book that somehow becomes a virtual own room where snow lies and give permission to be herself, in all its magnificent rarity. Writing allows you to escape reality without losing sight of snow makes for what is to enter a painful daily life not without beauty, "Writing the school newspaper in front of everyone: not thinking. I am always hidden in the book, because neither students nor teachers can read what I put here. It may be that I kicked out of school (...) My Diary is a luxury, my medicine, what keeps me going. Without it reaches twenty. I am he, he is me. We both felt mistrust. "(Pp 139 and 144). Wendy
claims to have had problems with censorship, not yet, probably because the tone of his novel, which is that of a naive girl, lets talk about "some things" from the alibi of innocence ... as when establishing similarities between his father and the "despotism" (recurring term in the anti-imperialist discourse) and its references to "Fidel", omnipresent as God: "This just sends one to say my mother can not even lie." (p. 101) . Snow has been taken from his mother, "on behalf of the Revolution", to pass the care of his father, a man who commits violence brutal physical and emotional about girls, as well as drinking up stunned and having sex in front of her. This domestic dictator can not conceive that they keep a diary Snow may have control over absolutely everything that girls do, but never about his writing and his thoughts just as Fidel. It is during this parent living with tyrannical and brutal that the narrator intuit the clandestine nature and therefore release of this innocent passion instilled by his mother forbade him bored at home: "From childhood I have wondered why our president is the only the world saw this olive green clothes. At thirteen, my mother told me that the chairs were changed every four years approx. Mom was shocked when I confessed that I felt like a king died (...) No solution is possible for my mother: "If you want to escape the politics you have to escape from Cuba." (Pp. 157 and 187). Snow
Life will give more of a jolt before returning to the arms of his mother will even sneak out of the dictatorship after his father, a kind of orphanage and an attempted seduction lesbian. Wendy Guerra, whose mother died in 2004, notes that this, like Snow's mother always had a literary paragraph for every occasion. The only fictional attribution is the journey of the mother of Snow to Angola and that of Wendy was never there, "this story is a friend stole it," laughs the writer, Rattlesnake beauty and joy. Snow's mother, such as Wendy's own, is a proud daughter of the revolution which, however, is reluctant to barbaric practices such as lynching virtually called "worms", which give up the Cuban citizenship and opt for a legal self-imposed exile, the mother of Wendy Snow-intellectual is a very critical of the Castro regime, however, and as Wendy's own, not abandon it for the world his island: "(...) Outside, I feel in danger, in my feel comfortable prey. "(p. 10). The enclosure at home, on its own island, Wendy gives him a strong identification with Sor Juana Inés de la Cruz, whose verses he read by his mother: "I like the idea of \u200b\u200bbeing tied up and letting go little by little, go to faculty voluntarily, and back out through freedom to be sure that the faculty is still there, waiting. It's kind of exhibition game and I'm living cloistered, although not speak of religion but of ideology. "
Wendy says Cuban writers who have chosen to stay on the island has a fine instinct autocensor trained and, oddly enough , claims to have developed as well: "It's hard to say because it goes against me, but I recognize the self-censorship. The book has been forgotten enough of the censorship, but is rare. "Nonetheless, Wendy says that Cuban women are more liberated than the rest of Latin America, although the novel does not reflect at all:" Machismo in Cuba, "he says on page 224-is masked by the high literacy, but that's threatening you all the time, between play and reality." Freed and all, are not exempt from falling under the influence of a dictatorial and manipulative man as Osvaldo, Snow's first love at seventeen, a prominent painter who ends up in exile in Paris and forgetting about the girlfriend left in Cuba. Before that, Osvaldo has sought to exercise its authority over Snow, as did his father before objecting to his addiction to the Journal, but the Journal, the need to express in writing, always more powerful than any love. What it does reflect all leave is solidarity, the other atypical in our continent, among women: Nieves is rescued from her father for a lover of this, which in turn was a friend of his mother, Snow established a close friendship with Cleo , the mistress of her boyfriend. The Cuban author tells us, develop a strong complex of Penelope: "I think of my mother and my friends who were waiting forever at the airport, which as I say is the Triangle Bermuda, where everybody goes and never returns. "In Cuba, as elsewhere in the world, there's a guy like Alan, one of the most endearing of all leave, who defends a woman of her time. "I always hide the diary of men ..." (p. 256).
Wendy, who is recognized strongly influenced by Nelida Pinon, honoring author in his novel, along with Dulce Maria Loynaz ("Nelida represents freedom and Dulce María voluntary closure"), said to have been nurtured almost entirely banned in the author Island, among others, Reinaldo Arenas, Eliseo Alberto and Guillermo Cabrera Infante, whose books circulate from hand to hand, covered or disguised something else. After growing up in a world without privacy, accustomed to constant surveillance and murmurs; expert in camouflage and intimate transgressions as was his own journal, considers herself lucky to live in today's Cuba, where the voices of young artists begin to rise above the old spirit of its dictator, "and would have to be crazy to miss this ... although that does not mean that deeply respected writers in exile."
War Wendy is married to jazz Hernán López Lossa. Posing nude intends to publish in Havana. Diary of Anais Nin apocryphal, "just be writing poetry and journals. I do not know what to do when I decided to write a traditional novel, "he says with a laugh. Diploma in Film, Radio and Television in the Faculty of Media of the Instituto Superior de Arte (ISA) has published poems in the dark Platea (awarded March 13, 1987, awarded by the University of Havana) and Head shaved (Pinos Nuevos Prize, 1996). Currently working on a Journal of the nineties that Bloomers titled: "It will be the contrast that was in my years of art school when we ate in an aluminum tray, food was very bad, n I put the same underwear and did love all the empty pool. How we were raised to be a unity, a single human being ... "
Virginia Wolf showed us the importance of her own room for the full development of women's creativity. Wendy teaches us that war, unable to conquer, it is possible to invent one. Born on December 11, 1970 in Havana, Cuba, winter power outages and lack of Christmas, Wendy says, categorically, that no one dies Cuba, "The only family I have is Cuba, so if I lose I'm all I have, in such a way that this is one of those rare authors who have refused to leave the island to exercise freedom of expression, moreover, alone has been given permission to violate the implicit rules of the only communist regime that survived the century, in such a way that his novel, all go, I won the Novel Prize Bruguera (2006), openly displaying a society where the grandchildren Revolution is at the mercy of the ideological invasion from the kindergarten, young artists have to earn the right to fly the brush or feather pulling the trigger against an imaginary enemy. Yet they realize that their true patriotic commitment has nothing to do with killing, much less abide by, "We live hidden in the bunks, which are the collective monument to worship in any new place where we crowded. In a bunk bed instead of two, sometimes slept four. "(P. 138). Snow
protagonist and alter ego of Wendy, recounts her journey from the perspective of a little girl of eight years at a refugee underground newspaper (the newspapers tend to be intimate, but the content of Snow would be considered "subversive" by him paid attention to one of these "policemen" that every adult has behind habanero your steps); book that somehow becomes a virtual own room where snow lies and give permission to be herself, in all its magnificent rarity. Writing allows you to escape reality without losing sight of snow makes for what is to enter a painful daily life not without beauty, "Writing the school newspaper in front of everyone: not thinking. I am always hidden in the book, because neither students nor teachers can read what I put here. It may be that I kicked out of school (...) My Diary is a luxury, my medicine, what keeps me going. Without it reaches twenty. I am he, he is me. We both felt mistrust. "(Pp 139 and 144). Wendy
claims to have had problems with censorship, not yet, probably because the tone of his novel, which is that of a naive girl, lets talk about "some things" from the alibi of innocence ... as when establishing similarities between his father and the "despotism" (recurring term in the anti-imperialist discourse) and its references to "Fidel", omnipresent as God: "This just sends one to say my mother can not even lie." (p. 101) . Snow has been taken from his mother, "on behalf of the Revolution", to pass the care of his father, a man who commits violence brutal physical and emotional about girls, as well as drinking up stunned and having sex in front of her. This domestic dictator can not conceive that they keep a diary Snow may have control over absolutely everything that girls do, but never about his writing and his thoughts just as Fidel. It is during this parent living with tyrannical and brutal that the narrator intuit the clandestine nature and therefore release of this innocent passion instilled by his mother forbade him bored at home: "From childhood I have wondered why our president is the only the world saw this olive green clothes. At thirteen, my mother told me that the chairs were changed every four years approx. Mom was shocked when I confessed that I felt like a king died (...) No solution is possible for my mother: "If you want to escape the politics you have to escape from Cuba." (Pp. 157 and 187). Snow
Life will give more of a jolt before returning to the arms of his mother will even sneak out of the dictatorship after his father, a kind of orphanage and an attempted seduction lesbian. Wendy Guerra, whose mother died in 2004, notes that this, like Snow's mother always had a literary paragraph for every occasion. The only fictional attribution is the journey of the mother of Snow to Angola and that of Wendy was never there, "this story is a friend stole it," laughs the writer, Rattlesnake beauty and joy. Snow's mother, such as Wendy's own, is a proud daughter of the revolution which, however, is reluctant to barbaric practices such as lynching virtually called "worms", which give up the Cuban citizenship and opt for a legal self-imposed exile, the mother of Wendy Snow-intellectual is a very critical of the Castro regime, however, and as Wendy's own, not abandon it for the world his island: "(...) Outside, I feel in danger, in my feel comfortable prey. "(p. 10). The enclosure at home, on its own island, Wendy gives him a strong identification with Sor Juana Inés de la Cruz, whose verses he read by his mother: "I like the idea of \u200b\u200bbeing tied up and letting go little by little, go to faculty voluntarily, and back out through freedom to be sure that the faculty is still there, waiting. It's kind of exhibition game and I'm living cloistered, although not speak of religion but of ideology. "
Wendy says Cuban writers who have chosen to stay on the island has a fine instinct autocensor trained and, oddly enough , claims to have developed as well: "It's hard to say because it goes against me, but I recognize the self-censorship. The book has been forgotten enough of the censorship, but is rare. "Nonetheless, Wendy says that Cuban women are more liberated than the rest of Latin America, although the novel does not reflect at all:" Machismo in Cuba, "he says on page 224-is masked by the high literacy, but that's threatening you all the time, between play and reality." Freed and all, are not exempt from falling under the influence of a dictatorial and manipulative man as Osvaldo, Snow's first love at seventeen, a prominent painter who ends up in exile in Paris and forgetting about the girlfriend left in Cuba. Before that, Osvaldo has sought to exercise its authority over Snow, as did his father before objecting to his addiction to the Journal, but the Journal, the need to express in writing, always more powerful than any love. What it does reflect all leave is solidarity, the other atypical in our continent, among women: Nieves is rescued from her father for a lover of this, which in turn was a friend of his mother, Snow established a close friendship with Cleo , the mistress of her boyfriend. The Cuban author tells us, develop a strong complex of Penelope: "I think of my mother and my friends who were waiting forever at the airport, which as I say is the Triangle Bermuda, where everybody goes and never returns. "In Cuba, as elsewhere in the world, there's a guy like Alan, one of the most endearing of all leave, who defends a woman of her time. "I always hide the diary of men ..." (p. 256).
Wendy, who is recognized strongly influenced by Nelida Pinon, honoring author in his novel, along with Dulce Maria Loynaz ("Nelida represents freedom and Dulce María voluntary closure"), said to have been nurtured almost entirely banned in the author Island, among others, Reinaldo Arenas, Eliseo Alberto and Guillermo Cabrera Infante, whose books circulate from hand to hand, covered or disguised something else. After growing up in a world without privacy, accustomed to constant surveillance and murmurs; expert in camouflage and intimate transgressions as was his own journal, considers herself lucky to live in today's Cuba, where the voices of young artists begin to rise above the old spirit of its dictator, "and would have to be crazy to miss this ... although that does not mean that deeply respected writers in exile."
War Wendy is married to jazz Hernán López Lossa. Posing nude intends to publish in Havana. Diary of Anais Nin apocryphal, "just be writing poetry and journals. I do not know what to do when I decided to write a traditional novel, "he says with a laugh. Diploma in Film, Radio and Television in the Faculty of Media of the Instituto Superior de Arte (ISA) has published poems in the dark Platea (awarded March 13, 1987, awarded by the University of Havana) and Head shaved (Pinos Nuevos Prize, 1996). Currently working on a Journal of the nineties that Bloomers titled: "It will be the contrast that was in my years of art school when we ate in an aluminum tray, food was very bad, n I put the same underwear and did love all the empty pool. How we were raised to be a unity, a single human being ... "
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