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Dear reader @ s @ s
Due to a series of serious technical problems, I am announcing that as of this week "The braid of Sor Juana" change of direction. I beg to go straight to www.la-braid-de-sor-juana.blogspot.com for consultation. The above address, www.evetrenzas.blogspot.com will be terminated.
Any questions can write to evelinamaria@gmail.com gladly answer your message, thank you very much
eve

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intimidates glance, especially when applying perfume behind her ears with that faint, fleeting gesture elegant women (and as any smart woman, load in her purse a vial). While not high radiates aristocratic beauty, class, character. Not a hair out of place (Melenita, in fact, is a marvel. I was dying to know for sure you have the look of polished mahogany of the photos). Simply exchanging a few words with her to discard the first impression of a cold, searching eyes, as transferred the hardness of diamond and stay with sparkles. So Beatriz Espejo. So is the prose diamond Beatriz Espejo.
Born in the port of Veracruz on September 10, 1939, in the bosom of an aristocratic family that gave him material for his first book of short stories, Wall of mercury (1979), Beatriz developed from those early stories the topic that the restless, writes in the preface to his collected stories, "(...) the bourgeois moral double errors that are committed to disguise the facts, put a blindfold over their eyes and give undeserved importance conventions ( ...) "He said he discovered the literature when traveling in New York with his parents, his maternal grandmother's house, he was inevitably drawn to his books and he summoned them: Little Women, Life of St. Teresa of Jesus, the Knights round table, the poems of Salvador Diaz Miron, you like a dove to the nest, I, like a lion to fight .... Began reading without anyone admonish it. At twelve I knew that would be a writer and study Literature. His greatest influence is that of Rosario Castellanos who nevertheless come from a wealthy family made a living with his writing: "Don Javier de Icaza, my teacher at the School and protagonist of the novel The Years with Laura Diaz by Carlos Fuentes, published my first text on the days masked with good ideas but poorly written. A few months away Juan Jose Arreola took the other sister in their notebooks of the Unicorn, a teenager so I was a professional writer, I took a magazine, The pinwheel, in 1959, consisting of pure women, and since then stopped " I account. It was through this magazine which started in journalism interviewing, among other figures, Julio Cortázar and Jorge Luis Borges. His father, despite the dominant male image of the patriarchs of his stories, says Beatriz, was not sexist. Never met discrimination at home: "I am a feminist in my own way, always have been because it was born," he says simply oozes character but from every pore. Similarly
the Marilyn Monroe of her extraordinary story, "Marilyn in bed," Dr. Beatriz mirrors disguised as what people want to see it, a lady Fifi, to wield the pen. No experience flushing at his status of women, fed up revealing in his writing that is undoubtedly writing women, "women's world is my world. Interlinings and understand their aspirations. "Nor is concerned with hiding that comes from the gentry, not worried at all. It has, however, with an academic side (it's full-time researcher at UNAM), which has just deserves the National University Prize in the field of artistic creation and extension of Culture. In his role as literary critic has written a classic study of who was your favorite teacher at the School, Julio Torri, voyeuristic disappointed. The theme of his literature might awaken prejudices make frivolous as it deems most beautiful women protagonists are concerned about the line that they operate in areas exquisite. Another recurring detail in the narrative of Beatriz Espejo, however, is the arrival of a corrupting element, wicked, dirty, ugly, disorderly and threatens a beauty. It would seem, even to enjoy the contempt Beatriz, carpets stained with poop girl, a word out of place that inevitably spoils the romantic evening. Such incidents, however they do not alter this pristine prose that honors the name of its author, are those that nullify the false impression of frivolity, as in the tales included in Haute Couture (1997), Premio San Luis Potosi 1996. As a tribute to Inés Arredondo, Beatriz raised in "Do not try this home" the most bestial erotic attraction than on a transient distinguished Central Park has a black and sweaty bum, whose obscene signs are almost lost his composure: "(...) your bag fell to the ground and rolled through the mulatto as your compact silver coins and some bright sunlight. You bend over to pick them up. He also bent. For a moment you thought would take them and run away. I was amazed that you deliver them a big hand with long nails and dark. The shame you accepted, about to ask you keep money. He almost begged to go with you ... "(Stories collected, Fondo de Cultura Economica, 2004, p. 196). In the same book, "A woman altruistic highlights the patience of a saint lady of quality who can not afford to crash into the wall to the monstrous daughter of his maid, despite the reasons. In the poignant title story to the book, we witness the loving efforts of the Russian seamstress who makes the scarf to strangle her and fatally foolish to Isadora Duncan. "The white delphiniums, which devotes her husband Beatriz many years, the legendary and feared literary critic Emmanuel Carballo, is pure beauty. But beauty, it seems tell the author is not empty, all: "(...) I entered inattentive critics in the magical realism that has garnered the best fruits. It would be a mistake, any writer who imitates another short neck in advance. I wanted to have fun with miraculous realism (emphasis added), convinced that miracles happen around us but often do not notice. "
Limoges tableware. Baccarat chandeliers. Toys Sevres. China white and smooth as milk tablecloths granite. Penelopes who make bridal accessories that are not safe to use someday. Key pieces of the decoration of the tales of Beatrix, as she explains, they cling to the now home nature overwhelms us globalization, although this is more accurate to describe his first two books, Walls of mercury and the singing of the sinner (1993) and Marilyn rubs off on the bed and other stories (2004), more devoted to contemporary. On walls ... and the singing ... you appreciate what Beatrice calls "miraculous realism" and its tone resembles that of the girl from "The urge to fly", including on walls, whose pragmatism is "worthy of prime ministers." Beatriz Espejo family legends narrated in the belief that it is tangible ghosts of domestic wonders, as already mentioned, more attached to the concept a miracle that magic. "My female characters, fictional or autobiographical, come to me as a trigger. Some belong to my childhood, adolescence and youth or middle age, others were taken from the family stories which I heard. Course taken up by the imagination and fantasy. "The song of the sinner" came from a history of Xalapa that brought "The marble angel" whose structure is a braid with two open ends, two possible endings, but in any case carry something endearing, cheerful and painful. I identify with them, and their players, even with that I, as the world of women is my world, I understand their interlinings and aspirations. " But amid the sights, the fear of God and plummeting evenings on the boardwalk, a teenager discovers the power of her femininity and plays mercilessly with his legs causing trouble in his teacher in "One April morning" "(...) and the soul will she be in a thread without smiled with his legs crossed ankle stuck in flesh color that I come to the knees and I presume that I keep a golden tan on his chest (...) The weather is excellent and only grandparents complain about contemporary morality. "(Tales, p. 70). The perversity and innocence make a dough and precious tales of Beatrice, so it is impossible to distinguish one from the another, indeed, to conceive of one without the other. And this feature so typical of the prose is coupled espejiana the amazing ability to paint with words, to recreate authentic pictures of manners and beautiful landscapes. Some paragraphs are genuine postcards, brushstrokes rather than verb: "(...) at the end of the pier-is reads" The chest "- and beyond toward the cemetery, the sand turns dark and pressed together by the pounding of the waves The sea meets the sky and the eyes of men do not consider it a mystery black. "As the uncle of Jesus story of the same name included in Muros, Beatriz has a vocation for the fleeting and works with diaphanous materials as the grace of the angel, the bird's flight, the fragility of the rose ... the optimism of the maids and the sorcery of beautiful older women. His story "Marilyn in bed", included in the book of the same name, we are facing an unexpected Marilyn Monroe: make-up, drunk, pregnant, swollen ... dead. Body whose toe hang a label; foot covered cracks and calluses, and the same disgusted shaking a young journalist who does not believe that thing is the Hollywood sex goddess. A Marilyn on the verge of obesity was sweating profusely as a result of their addiction Benzedrine and Nembutal and therefore, it stank. A story where the master to graduate from horror to beauty overflows and without restraint: "(...) I had a doll that I lost. I still remember the face half rotten, disgusting as my mother. "(Tales meeting, p. 229). Each story of Beatrice, regardless of its length it has also been exploited hiperbreves texts are authentic pieces of jewelry that look more like embroidery than written, a very apparent delirium for perfection, by the tyrannical self, the beauty. For this and for no other reason that little has been published despite having written a lot. Despite having dabbled in virtually all literary genres, including drama, of which he published a work written when was a student of Luisa Josefina Hernández titled "The moon in the pond" in the magazine stations, only one has dared to publish their stories in book form, but in their stories met included a story that could be read as a novel entitled Everything fragmented We as a family, which incorporates and admirably condenses the characteristics of their stories. Beatriz Espejo
he was awarded numerous awards such as the National Journalism Award (1984), the Magda Donato (1986), the Colima National Fiction (1993), that of Distinguished Veracruzana (1997) and the Medal for Literary Merit (Yucatán , 2000). Was a fellow of the Mexican Writers Centre and the College of Mexico. Today a member of the National System of Researchers. His five books have been full of stories collected in Tales. Currently working on her sixth book of stories that he says is the most ambitious.

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The smile behind the veil harem

... With my small collection of books, was as an emissary of a country that did not exist, it came with a repertoire of dreams to proclaim that other country that was his home ... AN


Read " Lolita "in Tehran, Azar Nafisi (El Aleph, 2003, translated by Ma Luz García de la Hoz) brought me to mind a brilliant statement of the Catalan author Albert Sánchez Piñol:" The influences are not the ones you read, but those that you read "I can not help but mention how I saw myself reflected in this account, which apparently nothing to do with me or any Western woman, but I saw and I read in the author's insomnia in their need to hunker down with a prize of books not to mourn, not to die and, above all in the sudden making a decision now or never. Born in Tehran in December 1955, Azar Nafisi suffered the religious dictatorship of the Ayatollah Khomeini and his successor ominous. It belongs to the generation of women who were born free and were suddenly in middle age, deprived of their fundamental rights, those who, like his own Azar, demonstrated against Vietnam and for the Cuban revolution, dominated the revolutionary jargon and were lovers of Russian cinema. Yes, "(...) I never gave up the habit of reading with pleasure counter authors: TS Eliot, Austen, Plath, Nabokov, Fitzgerald and spoke passionately at rallies, inspired by phrases he had read in novels and poems (...) "(p. 121). University, executive and intellectuals had curled up in the overnight, behind a veil and give up nonsense like taking ice cream in public (and Azar is a fan of coffee ice cream with almonds), painting your nails or lips and show a lock hair. The violation any of these prohibitions could cost from a beating to prison: "Living in the Islamic Republic is like having sex with a man who says hate-Azar Bijan Naderi, her husband - (...) if you are forced to sleep with someone you dislike, leave a blank mind and pretend to be somewhere else, you tend to forget your body, you hate your body. That's what we do here, as we constantly do elsewhere (...) "(p. 424).
Azar Nafisi is the daughter of Ahmad, a former mayor of Tehran and Nezhat Nafisi, the first woman to be elected to the Iranian parliament. Ahmad was known for its charm and rich culture, also its tendency to insubordination. That was the charge for which he spent four years locked up, actually, in the prison library, insubordination, a word that haunt her daughter, although in the case of his father only have been the manifestation of his ardent admiration for the French In a speech peppered with Chateaubriands and Victor Hugos with which General de Gaulle was not very sympathetic in the eyes of the Shah: "I'll always remember: insubordination after that became a way of life for me" (p. 71). It was his father who started on the lyrics, the first reader, who appeared in his life, having her as protagonist of all their stories. It was he who read Rumi, Hafez and Khayam, including Iranian glories of literature, banned by the Ayatollah. Azar must have acquired his passion for English literature during her high school student in Lancaster, England, but would attend his college career at the University of Oklahoma where he would graduate as a doctor in English and American Literature. At the time of the coup by Reza Shah Pavlevi, Westernized Iran, Azar has served as master of his specialty at the University of Tehran for nearly eighteen years, but is also and above all, passionate about her subject. Only such a passion can be transmitted further, infected, in such a way that their students complete their exact frequency tuned, even the most reluctant to be seduced by Western culture. Even after the coup of Khomeini, the teacher managed over a reasonable time to maintain the momentum of the class, avoiding the moral vigilantes lurking in the halls of the university, in such a way that begins to taste the bittersweet taste of the underground. Problems arise in 1981 when Random refuses to carry the veil, which has been accepted without a murmur by his colleagues. I do not understand how is that so funny Azar and bravely defied the police of the regime, not only to repudiate the veil but on many other occasions. Will their dignity to those who sought to be imposed persona overwhelmed? There were few women who defied the tyranny of Khomeini, but some as Yassi, a student of Chance, or even violating proposed to end up in prison. Her crime? Any nonsense warranted a string of strokes, if not death, from nibbling "inappropriately" block to awaken the lust of a holy man who responsible for the object of his desire to immoral thoughts. How many women are not paid with the squad on being beautiful and desirable? And if the fair was a virgin, before going to the wall should be violated simultaneously to prevent its entry into the heaven: "Lolita belongs to a category of helpless victims to whom they were never given the chance to tell their own story. As such, it becomes a double victim: not only robbed of his life, but also the story of his life (...) all murderers and all oppressors have a long complaint against their victims, only few are so eloquent Humbert Humbert-like. "(p. p 66 and 69). Random
prefer to quit your job because you wear a veil. The demeaning of the veil is its depositor that also means the imposition of a religion, the imposition of ideas. Ironically Azar's grandmother suffered from the opposite: Muslim convinced he was unable to wear the veil, prohibitive for the Liberal government of Shah Reza Pavlevi. Raised in secularism, Azar refuses, and her grandmother to admit to decide for her, and like most Iranian women has aggressively any subversive act, however slight, of intimate it is, and paint your toenails, for example. But end up disgusted with the comprehensive inspections that are faced by women who enter the campus, who review them even colors that carry in their underwear, while men come and go at will, without noticing anything. His only solace and greatest act of subversion is the book club that has formed at home and attending their enthusiastic students to analyze the work of Nabokov, Jane Austen or Henry James. All huddled together arrive at his door so that, once inside, theatrically tearing the veil and become normal girls who wear jeans, crimped hair and admire Madonna. But his visits to Dr. Nafisi not only allows them to be who they really are and gobbling up all the coffee ice cream with almonds they want, but above all to acquire critical consciousness through literary fervor. Through heroes, heroines, anti-heroes and anti heroes in the case of Nabokov, become aware of the injustice they are objects, at the hands of a horde of men and women, fanatical, irrational, armed on board Toyota ready to whip mercilessly exposed any girl who let a piece of skin or a lock of hair: "A great novel heightens our senses and awareness of the complexity of life and individuals and does not allow us carried away by the puritanism that sees morality in fixed formulas of Good and Evil (...) I've concluded that true democracy can not exist without freedom of imagination or without the right to use works of the imagination without any restrictions ( ...) "(p 181 and p. 436).
Amid this atmosphere oppressive, the day of his resignation at the university, Azar is assaulted by a terrible premonition that the force to stop at the nearest bookstore for books coming overwhelmed by EM Forster, Heinrich Böll, Rilke, Hammett, Chandler, Agatha Christie and Dorothy Sayers, among others. This establishment will be closed soon by the regime. Would soon triggered the Iraqi bombing as if it were not enough with the local tyrants, to join the maddening praise sirens and the need to run (the women are required to sleep wrapped like mummies to protect her modesty from the eyes of invader, should die under the bombs), and manages to appease her fear Azar provisioning of books they read with the aid of a candle, with only a nightgown. It is during this time that decides Azar professional in and start writing to write literary criticism, from which emerge the Anti-terra test: a critical study of Vladimir Nabokoc's novels. "During those nights of sirens red and white, unconsciously I designed my future career. During the endless nights of reading, I concentrated only in fiction and when I started teaching again, I discovered that he had prepared the two courses on the novel. The best that I spent during the next fifteen years he went to teach literature and to think and write about it (...) if a sound can be kept between the pages like a daughter or a butterfly, I would say that among my Pride and Prejudice those of my Daisy Miller is hidden, like an autumn leaf, the sound of the siren red. "(p. 247).
A society that has banned the reading of the great national poets, and artfully kills its intellectuals for failing to sufficiently sweeten the ear of the ruler in turn, not to mention the fatwa issued against Salman Rushdie can hardly accommodate a woman long as Azar for more efforts to bring to pass unnoticed. Not only refuses to wear the veil at university, also secretly make appointments with her best friend, an intellectual who simply calls "my magician" relationship that could easily lend itself to misunderstanding but which even Bijan is aware. In a opportunity, while Azar and his magician talk and drink coffee at a bakery, are forced to part with the menace of the patrol of decency that would penalize the owner of the premises and discovered that a man and a woman are not husband and wife share a table. Azar is then that says to herself: "I'm outta here, I can not stand this life." Probably it has been said many times, but never so clearly and firmly as ever. Her husband, a prosperous engineer, decides to follow along with their two children, Negar and Dara. Not be easy, not easy to start from scratch in a Western country ... but nothing more difficult to survive the constant violation of the most basic human rights. On June 24, 1997, Azar and his family departing for the United States. Currently taught at John Hopkins University: "(...) I continued my journey with joy, thinking how wonderful it is being a woman writer at the end of the century" (p. 437). He never lost contact with her students, many of whom followed his example and left Iran. In his magician he never heard anything, and not because he has begged him forget (Forgot? If he whom are dedicated this), but because he has asked you not have known any signals time, for mutual safety. Naturally, Reading Lolita ... is banned in Iran, but as pointed out by Azar in an interview with Robert Birnbaum, "the more you prohibit something, the more interesting it becomes for the people ..." "The lack of empathy was, in my opinion, the sin of the regime and that arising from all others ", the statement on page 293.

If this topic interests you, I invite you to take a look at Orhan Pamuk, Turkish writer awarded the Nobel for literature and whose masterly novel Snow discusses among other things, the conflict of women between using or not using the veil: http://www.jornada.unam.mx/2006/10/13/a03n1cul.php

Fatema Mernissi

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Rebellion in October

has hit the mark: the basic difference between Muslim and Christian, is that the veil of the latter is invisible. The veil, we know, is the restriction on women in Islam, a symbol of subjection to patriarchal dictatorship and during this time we have been naive enough to boast of our "liberation" and sympathize with our sisters evenings, but ... surprise!: "While the ayatollahs see women as your use of the veil in the West are plump hips which the signal and marginalize (...) The Muslim fasting we submit only during the month of Ramadan, but it is unfortunate that the Western diet have to be twelve months. Quelle horreur! (...) (The harem of the West, Espasa, Planeta Colombia, translated by Inés Belaustegui Trias, p. 245). The Ayatollah of us, the Westerners, then, anorexia ... and our end, fashion.
Many people have expressed surprise at the fact that Muslim feminist and sociologist who shared the Prince of Asturias Award to Susan Sontag in 2003 has chosen to remain in their home country, away from the privileges and freedoms of both we boast in the West, although reading it, particularly the West's Harem, clears up the mystery. Born in Fez, Morocco, in 1940, no less than the inside of a harem, Fatema not share our notion of "freedom" or understand our strange desire to divorce the beauty of intelligence, virtues that, according to Muslim culture can not exist separately: "Unlike the caliphs Fatema-writes as Harun al-Rashid, who confused beauty with sophisticated education and were willing to pay astronomical amounts to always have some Jary (slave) smart in their harems, the Kant's ideal woman is not opening the mouth (...) - and explicitly refers to Kant: "A woman with a head full of Greek, and Mrs. Dacier, or holding on mechanical key functions, such as the Marquise de Chatelet, does not seem to need more than a good beard. "(p. 107). But the horror of slavery in the West, who imposed the passivity of the ideas as a standard of beauty, reached its zenith when, browsing in stores in New York, Fatema discovers that his hips do not fit into the bigger size available in the boutique, the 38 (or 7 or 30 Mexican) "In suffering the frozen state as a passive object, continues Fatema, based on his reading of feminist Pierre Bourdieu, whose very existence depends on the look of its owner, Accidental women today, with education and training, are in the same predicament of the slaves of the harem (...) Thank Allah for saving the tyranny of the harem of the size thirty-eight! (...) "(P. 251). Fatema Mernissi
lands in the West to dispel myths about Muslim women (Oriana Fallaci itself showed his ignorance when he called them "idiots" for "letting enslave"), also to reflect Westerners or Christians in the mirror of his critical look. Mirror, frankly, not opaque but full of tenderness and sympathy for their fellow oppressed by the dictatorship of the size thirty-eight. His novel threshold Dreams, memories of a harem girl (Quintet, Muchnik Editores, 2002, translation of Angela Smith) brings down one by one the Western beliefs about what is a harem, which in practical life is not nothing but a commune where several related families living directly or indirectly. Already in the forties, when Fatema was born, the tradition of the man who accumulated many wives as he could keep starting to fall into disuse, at least in Morocco. Yasmine Fatema's maternal grandmother, lived with several co-wives, not the daughter of this mother of Fatema, who not only was the only woman in the life of a husband who venerated but also with all his soul abhorred the male polygamy. Fatema's mother dreamed of for their daughters an exciting and happy life, and "(...) a happy woman is one who could exercise any rights from the right to move to the right to create, compete and challenge and at the same time, to feel loved for doing so (...) "(p. 84). The mechanism of Yasmina home, however, is much more civilized and practical than the prevailing, for example, in Latin America, where adultery and domestic violence are our daily bread. Solidarity among co-wives is exemplary for a society like ours where the rivalry is encouraged and the women's competition. These women assume backward and repressed not competing, are embellished with each other in the hammam or public bath, unique to wear. All this does not mean that these women are not dreaming to go beyond the walls of his prison, because more harmony and laughter that had been inside the home of Fatema was just that a tightly guarded prison, not eunuchs but goalkeeper for a married with five children (women, incidentally, the wife jealous of this because it just went to work.) It even idealized privileges of Western women, who were had news through images of Greta Garbo and Claudette Colbert: "(...) I would grow into a wondrous realm, "said Fatema small, with thick curly hair in pigtails and clad in a western dress and shoes - that women have rights, including freedom to hug their husbands every night. But while Yasmina regretted having to wait for eight nights to lie with her husband, added that I should not complain too much because the wives of Harun-al Rashid, the Abbasid Caliph of Baghdad, had to wait nine hundred ninety-nine night because he had Jary thousand or slaves "(p. 43).
Women Dreams parade through the threshold, the grandmothers, mothers, aunts, cousins, slave are overwhelming and sensuous intelligence and all, without exception, are pleased to make small or large in subversive acts that often involve children and to young men, like riding edifying theatrical heroines of Islamic culture, all transgressive and revolutionary, such as Egyptian feminist Huda Sha 'Raoui, very beautiful indeed, that he tore the veil in 1919 to protest along with his followers against the British and demanded the adoption of a law to determine the minimum age of sixteen for marriage (she was married at 13). This heroine, founder of the Egyptian Feminist Union made it clear to other Arab nations that had recently gained independence, the relevance of women's suffrage and political participation of women. Incredibly, the pioneer in the inclusion of women in politics and university admission, it was Turkey, as noted in the very Fatema in the harem of the West: "(...) The percentage of students enrolled in engineering programs in countries Muslims as Turkey and Syria was double that in European countries more democratic tradition, such as the United Kingdom and Egypt are higher than in Canada or Spain (...) "(p. 35) Despite the Shari'a law inspired by the Koran and enforced by the extremists in the Islamic world, women like Benazir Bhutto in Pakistan, Turkey or Schiller Toncu megawatt in Indonesia have been erected presidents and prime ministers, something almost unthinkable in much of the western world and free. The Turkish can vote since 1921. Thirteen women were elected to Parliament in 1935. Amid all this, it is important to make clear that the oppression of women is not distinctive of Islam but of extremism. Every Muslim is brought up under a strong sense of equality which, as noted Fatema, is the fundamental basis of Islam. A Muslim women are taught not to wait for the prince as ourselves, but to work from the intellect to deserve it. I do not remember having read a better definition of universal feminism that "(...) So you can start the dialogue need to know to confront the other and insist that they know and respect the limits. When you learn to enjoy the vagaries of dialogue can enjoy situations in which the outcome of the race is not fixed in a rigid or known in advance who will win and who will lose ... "(p. 64).
One of the biggest entertainment in the harem, particularly for Chama, divorced Aunt Fatema, is to challenge the poor man with his paws entry must constantly catch the fugitives, trying not to hurt them. Not only should not let them walk alone is entrusted with escorting well when they go out so intruders do not compensate in the long necks and wide hips of Mernissi, beauty Fatema's mother brags so much, particularly since her husband began to read the Egyptian feminist Qacem Amin, who claimed that the reason why men insist on hiding their women is that they are afraid because their mere beauty provokes dizziness. Chama Aunt simply not tolerate the confinement and home dreams of grandeur and freedom that they share with the small Fatema. Chama theory is that a lot of women tied to a tree braids are able to uproot. On the other hand is Aunt Habiba, irremediable dam heme (exclusive kind of melancholy that leaves women pensive), who despite being the opposite side of Chama offers an unforgettable lesson to Fatema: "(...) a woman could be quite helpless and yet and give meaning to their lives dreaming of flying (...) "(p. 157). Seclusion, far from stunting the intelligence of these women, given the opportunity to devote himself to reflection and imagination. The voli aware of their wings and the power that gives the deployed. Each one of them, and particularly Fatema, left to flourish Scheherazade burning in their hearts. Writes in The Harem West, whose original title is Scheherezade Goes best: "Schrezade teaches women that the only effective weapon they have is to develop the intellectual capacity to acquire knowledge and help men to shed their narcissistic need to impose a simplified heterogeneity. So you can start the dialogue need to know to confront the other and insist that they know and respect the limits. "(P. 64). The harem, then, has little to do with the orgiastic fantasies of Ingres and Delacroix, there is plump and naked belly dancers, smoking hashish, running or delivered to the comfort ethyl or erotic, lend to the whims of his master. There are, however, women in trousers playing ball in the courtyards and featuring vampires in domestic theatrical and subversive. Fatema Mernissi
is also one of the greatest authorities in Koranic studies in the world. The totality of his work is aimed to study the Muslim sociopoetical both heroines as intellectuals and ordinary women. In The Political Harem (1987) highlights the important role of Muhammad's wives never mentioned, so neglected as our biblical heroines, while in the book of interviews Morocco through their wives (1991) highlights stories of farmers, Saurina, workers and bred. Another very used in the literature is the need in the context of globalization, to establish a cultural exchange between nations, based on the figure of Sinbad, as in a book for peace (El Aleph, 2004). As leaves set in his speech on receiving the Prince of Asturias: "In the cowboy foreign civilization is always the enemy because power and honor come of border control, in Sinbad, however, the dialogue with enriched abroad. "Although he studied political science at the Sorbonne, Fatema Mernissi has played all his academic work in his native Morocco. She holds a Ph.D. in sociology from the Institut de Recherche Scientifique Universitaure the Mohamed V University in Rabat, which currently is a teacher. It also plays as a consultant to UNESCO. His name is on the Advisory Group for the Dialogue between Peoples and Cultures.